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Friday, July 31, 2009

I Can Has Schoenberg

Alert the animal rights police! Via The Standing Room we learn of cats cruelly forced to recreate Schoenberg's Drei Klavierstücke, without their knowledge or consent. Cory Archangel used freeware and perl scripts to hack together a performance of the piece using Youtube clips of cats walking on pianos. Madness! Torture!



(Don't miss the audio file of a direct, simultaneous comparison of the cat version with Glenn Gould's, one in each ear, which is far more impressive than the video, which I didn't bother to finish. Of course, if you happen to love music that never resolves, by all means listen to all three videos.)

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Tuesday, July 28, 2009

First Professional Sale!

Because it came out when I was on vacation, I missed a chance to brag about my first published story, a bit of micro-mini fiction on a Twitter magazine called Thaumatrope. Sadly, my first professional sale indulges in vulgar humor, but one must take what one can get.

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Tuesday, July 21, 2009

Westminster Chorus

A Cappella News found this video of the Westminster Chorus winning the Llangollen '09 competition, thus claiming the title of "Best Choir in the World." Wales is the home of this competition, rightfully so due to its long tradition of men's choruses associated with, of all things, the coal mining industry.



Despite their name, these are American singers, and the influence of Barbershop singing is obvious. I can't express complete satisfaction with the quality of their music selection—they go so far as to commit Shenandoah—but there's no questioning the quality of their singing, the tightness of their ensemble, or their soulful enthusiasm. No question: a knock-out performance.

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Monday, July 20, 2009

40 Years

Call my generation Coddled and Entitled if you like, but my memory of the moon landing was not amazement, so far as I can remember. I think my attitude was something like David Weber's and David Brin's in that I was thinking "well, yeah, of course we made it to the moon." I was born in 1962 (in fact, I was born hours after John Glenn's first Mercury flight) and thus my little brain was molded by the 60s, the Decade of Space Hype. I suppose it is unsurprising in hindsight that our space program became bloated and timid (it is a government program, after all) but like many my age I stand continually amazed at our failure to achieve new space milestones. Space shuttle: bah!

And please someone explain to this person (who elsewhere has a lot of interesting information about the development of the Saturn V rocket) that the casualty rate of our space program has been way too low. Yes, that's right: I want to see more deaths. Any program of exploration, involving untested, insanely cutting-edge technology, must either produce way more results than what we've seen from NASA . . . or must have a risk/benefit balance that is seriously out of whack. Increase the risk, stop halting the program for months on end every time there's a fatality, greatly accelerate the launch schedule (and build the dang Orion now— or better, fund more prizes for private sector efforts) and see if we have any trouble finding volunteers to staff the missions. Does anyone seriously believe space exploration would suffer from pilot scarcity if the death rate doubled? Where there's glory, there's guts.

UPDATE: Others go even farther than I. The Guardian, quoted by a blogger at Futurismic, calls for the UK to start sending astronauts to space (go, Brits!) and asserts there will be no shortage of volunteers—even if the trip is one-way. Wow. That's commitment. Reminds me of the old joke about the ham-n-egg breakfast: the chicken is involved, but the pig is committed.

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Airbrushed

If you've been following the kerfuffle over Amazon's summary deletion of certain ebooks from customers' Kindles, you'll be amused to know that 1984 is one of the titles that have been disappeared. Thanks to my friend Jeremy for pointing this out to me, and also thanks to my friend Victor, who was reminded of a piece from Byte magazine that imagines how a certain famous book would be published the way software is: Moby Dick 2.1.
We have added several new characters to version 2.1. In particular, several readers reported that the character of Harold the bookkeeper, who was intended to act as a foil for Ishmael, simply did not work. This character has been replaced by Queequeg, a South Seas savage.

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Friday, July 17, 2009

Kilts & Celts

Saline (emphasis on the second syllable, please), Michigan hosts a Celtic Festival every summer.  Think Renaissance Fair and you'll get the idea:  the creative anachronism crowd, but with more bagpipes.  We attended for the first time this year.  My impressions:
  • The jousting competition was very satisfying, even if there were only three competitors. This is an expensive, high-commitment, weird, and rather dangerous sport.  I got the impression if one walks away from a tournament with only a few bruises and a sprained wrist, one considers the day a success. The time spent cantering and colliding is a small part of the whole; the riders spend a fair amount of time walking their horses into position. This means there's plenty of time to talk to the crowd, and inevitably trash talk has become an integral component of the entertainment. Also appreciated was the judge/master of ceremonies/FAQ answerer, a dead ringer for a bearded Jeremy Irons.  No fatalities, sadly, something that can happen when a splinter of balsa wood impales the brain via the eye slit.
  • I couldn't help but notice the base drummer with obvious African ancestry among all the redheads in the pipe & drum bands, especially since he brought to mind the cover art from this sad, dreadful movie.
  • Once again, the local high school provided instrumentalists, and by backing them up with a thumping electronic rhythm section, made them listenable from the point of view of the average audience member. See my previous paean to the Saline Fiddlers: same principle.
  • The food was disappointing. Domino's Pizza had a booth, along with some Italian sub thing and a tent selling Hawaiian chicken of all things, and maybe I should have gone with one of those.  Instead I went to the trailer selling authentic Celtic food.  The Welsh pasty might have been good when it was fresh, but it sat around long enough for the puff pastry to turn dry as a Judge Bork martini. Sucker that I am, I obeyed the hype and also ordered a can of "Scotland's other national drink," a soda pop named Irn Bru that tastes like orange baby aspirin.  Not terrible, mind you, but definitely sub-fabulous.  Ah well, the Walkers shortbread cookies at the end redeemed the meal.
  • People from the Society of Creative Anachronism really, really don't mind taking the time to explain their coats of arms.

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Thursday, July 16, 2009

Mud Hens

Fans of the Detroit baseball have a fondness for the Tigers' triple-A farm team and its loopy name: The Toledo Mud Hens. The team has a history almost as ancient as the Tigers themselves.

Sadly, until Saturday, this Tiger born 'n' bred had never attended a Mud Hens game. Der Drübermensch was begging to attend a Tigers game, but I (wisely) negotiated him down to a Mud Hens trip: cheaper, easier access, closer to the action at home plate, and having the charm of the second tier. (I have an intense allergy to the hype that usually surrounds the king of the hill.) Der Drü regards no sports team as unworthy of his attention, no matter how minor the team (or, for that matter, how obscure the sport; lacrosse, anyone?) so he agreed.

The game was a sell-out with a crowd of 10K. The park is new. The Mud Hens dominated the game until the last two innings, when their relief pitcher's wild fastballs let the opposing team make things interesting. The crowd's impatience with that pitcher amazed me; the crowds I'm used to (at classical music concerts) usually allow quite a few more mistakes before they begin yelling "get 'em outta there!" The game's impresario understands that baseball is . . . (heresy alert!) . . . dreadfully slow-moving most of the time, so entertainment was provided between innings by Frisbee-catching dogs. Der Drü loved them, having (along with the Maharincess) a limitless sentimentality toward all fur-bearing creatures. Oh, and the fireworks at the end completed the non-athletic portion of the total entertainment package in a spectacular fashion.

On the drive home, Der Drü consulted the local sports schedule and familiarized himself with the ECHL, the double-A hockey league. Toledo's team is the Walleyes. He noted a team located in Elmira, and I jokingly speculated that must be a Mexican team. When he didn't immediately reject this idea, I ran with it, weaving a web of lies about Mexico's centuries-long tradition of hockey dating back to the Aztecs, the first ancient civilization to develop refrigeration. I figured when I described mounted warriors riding ice skate-wearing horses, he'd see through it. He was deeply skeptical but couldn't quite abandon his faith in the basic honestly of his dear old dad. That'll learn 'em.

(Tomorrow, the sport gets ever more exotic.  Is jousting obscure enough for you?)

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Tuesday, July 07, 2009

Disney y Dali y Destino

Read about this Salvador Dali/Walt Disney collaboration called Destino that was left on the Disney cutting room floor. (Twice. Once when only 18 seconds of film was made, and another time when the project was completed for—then cut from—Fantasia 2000.) The word that keeps coming to my mind is surreal for reasons I can't quite understand. The link is Monsters and Rockets,a blog new to me.

I suggest you do what I did and watch the clip without sound. It is, by its nature, a silent film, and the soundtrack given it is just as brainlessly incidental as most others soundtracks assigned to silent movies. This observation is becoming a Big Idea in my life, and, yes: you are free to draw Deep Yet Vague Conclusions from my admission of that fact.



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Friday, July 03, 2009

Sing Shenandoah For Joe

Joseph Jennings, having built the Best Choir on Earth, is stepping down as leader of Chanticleer.

(As a bonus, the word "horripilation" gets used and defined in the comments.)

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Wednesday, July 01, 2009

Rejection

Today I address you, gentle reader, in my role as an aspiring but, for now, frustrated science fiction writer.  First, I direct you to this wonderful bit from Nielsen Hayden, a slush pile reader.  You'd think such an avenging angel would derive sufficient spiteful satisfaction from writing all those rejection letters, but no:  upon discovering a website exists for disgruntled and rejected authors, the angel turns demonic:
What I find weirdest about their take on rejection is that it's all completely personal. I don't just mean the rejection itself, which they're bound to take personally, being writers and all. They take things personally which have nothing whatsoever to do with them [. . .]
and then he tears the authors to shreds.  For example, to the person who was insulted because the rejection came typed on a half-sheet of paper:
Right. I can just see the staff at Prominent Science Fiction Magazine doing the slush, with all their different-size rejection notes stacked up in a little row in front of them. If your story really sucks, you get a rejection note that's mimeographed on a sheet of paper the size of a large postage stamp. If you've got strong writing but defective storytelling skills, you get a half sheet. Acceptances come on foolscap. And so on.
Great stuff.  Read and savor the whole thing.  Thanks to the ever-fascinating John C. Wright for the link.  John has his own list of authorial boo-boos, and his commenters (why can't I seem to attract dozens of clever, literate commenters?  No offense, Steve) riff at length on his "empirical storm troopers."  Not to be missed.

By the way, since I know you're dying to ask me, I have sufficient experience as a writer to have attained Nielson Hayden's level 9 (Nobody but the author is ever going to care about this dull, flaccid, underperforming book) which is something I'm pretty proud of.  Sadly, the final level (Buy the book) is level 14.  Five more to go, which doesn't sound like a lot until you realize each level is 20 times harder to attain than its predecessor.

Other fun links:  a 13-year-old boy tries out a music-playing gadget called a Walkman and finds it inadequate.  Don finds an animation to accompany the Hoedown from Rodeo.  And finally, Jalopnik has fun with a rendering of a gorgeous but hopeless Bugatti concept car:
[. . .] French industrial designer Bruno Delussu's rendering of a modern Bugatti Type 57 is so far removed from reality that the mind is free to conceive of anything. Say, a France removed by tractor beams from the way of an imminent Nazi invasion. Then allowed to grow in isolation for decades, acquiring high technology on the border of magic, to come up with this thing. A modern take on the Bugatti Type 57 Atlantic, powered probably by ion cannons instead of the original's clockwork straight-eight.
Not to mention that this princess has a chassis clearance so minimal, she would crash if she hit a rock the size of a pea.


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