2001, the Musical
Many people have commented on Stanley Kubrick's brilliant choice of music for 2001: A Space Odyssey. By using classical standards, Kubrick maintained more personal control over his movie. These pieces--Zarathustra, Lux Aeterna and the Strauss waltz and all the rest--were originally placeholders, music Kubrick inserted into early drafts of the film while he was waiting for the commissioned score by Alex North to be written. (In a shameful episode, North did not find out his music was axed until he saw the film just before its release. North's score was eventually released as an album.)
Here's a take on the film that's new to me: 2001 as a kind of visual music in three movements. Experts discuss the film, its music, its musical nature, and what the heck the ending is supposed to mean, anyway. (Short answer: anything you like.)
Umie the Umlaut says, "ask your doctor about the Fredösphere!"

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