The Fredösphere

See the Music Page for
more information about
my choral compositions.

Tuesday, June 20, 2006

Davies' Tempo Locker

I've been a good boy today.  First I ate stewed spinach for breakfast.  Then I visited my proctologist for a regular exam.   Next, I vacuumed my driveway.  Finally, I listened to Peter Maxwell Davies' Into the Labyrinth.  This music is one experiment in a long struggle to unlock music from the prison of tempo.  The resulting music is never exactly either fast or slow; merely nervous or enervated.

By the way, Davies' Sinfonietta Accademica, written in the same year of 1983, and on the same disk, is radically different in temperament.  It's anything but academic, and dares to frolic a bit.  This is the Davies I'll be spending more time with.

The wifeösphere has begun to exercise her long-atrophied movie selection muscles and, on the advice of a friend, sat us down in front of The Three Faces of Eve.  It's the classic multiple personality disorder case study, and since Alistair Cook tells us from the beginning that everything is true, we must believe it.  It perfectly illustrates the Freudian model of mental disorders springing from childhood trauma.  It's somewhat sad to watch the psychiatrist yakking away in their regular "therapy" sessions, while he waits for the right combination of circumstances to trigger the moment of redemptive self-revelation.  In fact, the film depicts the patient clearly predicting, perhaps even controling, the timing of the cure; the psychiatrist's role is partial at best.  The surprise at the end -- a flashback to the moment of trauma -- is funny and horrible, all at the same time.  (Well, I suppose I should say it is funny if you happen to be me.)  A simple good-bye kiss has never seemed so sinister.

In other movie news, Chanticleer is featured on the soundtrack of Nacho Libre, of all things.

Here's a bit of miscellaneous weirdness:  in my first attempt to type "vacuum" in the first paragraph above, I spelled it "facuum."  I guess my latent Germanness, several generations removed, has found a way to express itself.  Perhaps the notorious experiment of Emperor Frederick II was not so wrongheaded after all.

0 Comments:

Post a Comment

<< Home

Explore the Fredösphere

Home/Blog
Music Downloads
Psalm Chants for Worship
New World Order
Fountainhead Revisited

Subscribe to
Posts [Atom]



Umie the Umlaut says, "ask your doctor about the Fredösphere!"


Add to Technorati Favorites

Music

Sequenza 21
New Music Box
A Cappella News
Naxos Recordings
Michael Daugherty
Bolcom & Morris
Leslie Bassett
Bright Sheng
Music With a Capital M by Ian Moss
A2 Cantata Singers
A2 Choral Union
U-M School of Music
UMS
Meet the Composer
American Composers Forum
CPCC
Opus 1, a world-wide concert list
ChoralNet
Choral Public Domain Library
Theremin World
A2 Traditional Music & Dance
Saline Fiddlers
Old Tyme

Music Blogs

The Rest Is Noise by Alex Ross of the New Yorker
Greg Sandow on the future of Classical Music
PostClassic by Kyle Gann
Renewable Music
Jessica Duchen, a Critic in the UK
Ionarts, D.C. Critics
Sequenza21 Composers Forum
Aworks: new American classical music
Brian Sacawa: Sounds Like Now
Sounds & Fury
Twang Twang Twang
Steve Hicken: Listen
Musical Perceptions
Marcus Maroney
Scuffulans hirsutus
The Standing Room, a singer in SF
Iron Tongue of Midnight, another SF Singer
The Well-Tempered Blog
Texas Best Grok, home of the Carnival of Music
Hurd Audio
Felsenmusick

Art & Culture

The New Criterion and its blog Arma Virumque
About Last Night by Terry Teachout and OGIC
Two Blowhards
A Sweet, Familiar Dissonance
Arts & Letters
Arts Journal
Arion
Mark Steyn
Movielens
Plep
Byzantium's Shores

Ann Arbor & Ypsilanti

Arborweb by The Observer
mlive
The News
Woodward Woodworks
Polygon, the Dancing Bear
Ypsi Dixit
St. Luke Lutheran
The Detroit Page

Blogösphere

The Corner
James Lileks
Createive Commons
Andrew Cusack, the most Catholic Being in the Universe
Bookish Gardener
Gravity Lens

Whackösphere

Dr. Enuf
Soda Constructor
Kombucha